Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
A 40-day, 40-night road trip to the Trinity Site—where the first atomic bomb was detonated in the summer of 1945—covering many other atomic destinations and driving deep into the natural and social history of the American southwest.
In this Traveltalk series short visit to Scotland, we visit several places with familiar names, including Inverness, capital of the ancient Pictish Kingdom; Loch Ness, home of the famous elusive monster; and Saint Andrews, the birthplace of golf.
This documentary visits cities and towns and captures stunning landscapes along Europe's majestic Danube at Christmastime. Locations covered include Passau, Germany; Salzburg, Oberndorf, the Wachau Valley, and Vienna in Austria; Bratislava, Slovakia; and Budapest, Hungary. Along the way the viewer learns relevant history.
This Screenliner short looks at the dress and customs of Nazaré, a fishing village on Portugal's Atlantic coast.
Historical sites in Virginia are visited.
This TravelTalk short focuses on the ancient ruins in Rome, the leaning tower of Pisa, and the architecture in Florence, Italy.
A travelogue through the diverse neighborhoods of Madrid, its picturesque streets and its history; and an approach, with a sense of humor, to the lighted signs and advertising slogans of the shops: an unusual portrait of the city and its people.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.
This Traveltalk series short visits Hungary's capital, Budapest.
Haunting colour travelogue taking in Ulster, Lewis, Lincoln and Cardiff's Tiger Bay.
POSTCARD FROM SAN MIGUEL is perhaps the most mystical of all the films from Lawrence Jordan's "Odyssey" triptych. On the surface, it is merely a postcard from the picturesque Mexican colonial town of San Miguel de Allende. Underneath is the mysterious quest for the filmmaker's dream-lover.
This Traveltalk look at New Orleans starts at the recently modernized port and harbor facilities, with ships unloading various cargo and loading cotton. We then ride along Canal Street and visit the Tulane University campus. After a look at the variety of the residential architecture, we end our visit at the city's new airport.
A Traveltalk look at the exteriors of Washington, D.C.'s famous buildings and monuments.
Documentary about the photo session for the photobook "Castella", filmed in Portugal.
A travelogue through the remains of São Paulo failing 80s economy, including its in ruins film industry.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.