Marking Time

Delirium is the first movie of the "Delirium Cycle". One of the most popular movie by FS. Obsessions, delusions, hate, hopelessness, humiliation and death in an experimental film signed FS. Reviewed in the Italian journal's cult 'Nocturno'. The location (Torre di Cerrano, near Pescara, Italy) is the same of 'Nelle Pieghe Della Carne' (aka 'In the folds of the flesh', 1970) cult movie by Sergio Bergonzelli.

On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.

Abstract animation by Boris Labbé

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.

A video collage centering around flying drops, in space and on earth, along with coloured rivers, a sense of curiosity, joy and hommage. Watching extreme summer weather, outside the filmmaker's window under construction in Berlin inspired the impromptu video. Her scenery and sound recordings are intertwined with memories of selected film-, video and photo materials from colleagues and agreeable archives. Nature sound combined with Paul Hubweber's Trombone Variations and the vocal music piece Neptune's Bellows by trio Sverdrup Balance tie all elements together.

Two roommates suffering from cabin fever descend into madness.

In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques

As the earth closes its final chapter, two women are forced to reconcile with their emotional identities.

A cronicle of Tao Lin and Megan Boyle's relationship filmed through a Macbook camera.

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Portrait of a catastrophe, these are times of fire.

One day, one moment, there the forest has its own time. The place without meridian. The empty place. The place without human. The place has been thought as "forest" in our memory. This suspense film of forest was shot in the small forest which gets even smaller and forgotten in urban life in Japan. The graphical details, the dark, humid shadows of forest and the digital sound are overlapped.

A small evocation of my old room. Some flowers, a piece of wood, my diary. Finished April 2020.