Maybe That's Enough

Ten groups of kids from various parts of Finland, aged between 12 and 15, improvise an episode each based on one of the Bible's Ten Commandments.

Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.

Hildur, a young girl from a small fishing village in a remote corner of Iceland, falls for her sister's boyfriend while being stranded with him when the car breaks down.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

A committed synchronized swimmer tries to win the championship and the heart of the coach.

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

Playful and rythmic self-portrait shot on Super 8mm and 16mm. Colored directly on the super 8mm.

A man faces a life-changing decision to make; one of the two choices that could make a huge impact to his life.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”

All day of St. Petersburg bohemia in 4 minutes of the film.

Attempt of the artist's detached view of what is happening in the world.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

Neša Paripović's film N.P. 1977 (1977) is a film about a walk through the summer green city of Belgrade. In a way it´s a self-portrait of the artist who plays the main protagonist in the film. For the film title he has chosen his initials – as is the case with the two other films in a series of three produced between 1975-78.

Experimental film.

The original anti-film.