100 Per Cent White

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Pour mes fils, mon silence est impossible

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.

Young, inexperienced members of the Dutch Boarder Patrol undergo an intensive training on escorting refused asylum seekers to their homeland.

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

A team of Romany football players try to overcome prejudice in this Czech documentary.

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

Through the eyes of key figures, including captain Leah Williamson and manager Sarina Wiegman, this documentary relives England’s incredible European Championship triumph in July 2022. No senior England football team had claimed a major tournament title since 1966 until the women’s side secured an unforgettable 2-1 win in the final against old enemies Germany. This documentary features all the key moments on the pitch, while candid interviews with the likes of Williamson, player of the tournament Beth Mead and England stalwarts Jill Scott, Ellen White and Lucy Bronze offer a unique behind-the-scenes insight. BBC pundits Gabby Logan, Ian Wright, Alex Scott and Fara Williams also offer their thoughts on what was a breakthrough summer for women’s footballers, and female sportswomen in general.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Known as the setting of "Downton Abbey," Highclere Castle truly was the home of aristocrats and an army of servants, with a rich past to share.

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.

Jewish people - and a few Gentiles - muse on what it means to be Jewish in 1960s Britain. The challenges of maintaining faith and culture outside Israel, and in a society where ‘Jewish’ and ‘English’ are seen as mutually exclusive identities are perceptively explored in this astute documentary. Some secular Jews are keen to distance themselves from traditional Judaism and especially Zionism (one defines himself simply as a Marxist). Gentiles are on hand to cheerfully perpetuate some of the old stereotypes, and we’re treated to colourful snapshots of the Jewish community in London: the rag trade, a kosher butcher and restaurant.