Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....
Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.
Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.
“Serial Metaphysics — a thirteen-minute experimental 16mm film which has been described as 'an examination of the American commercial lifestyle, recut entirely from existing television advertisements' — was edited by Dixon himself, on a single night, New Year’s Eve 1972, culled down from 72 hours of American TV commercials. The film is a fever dream as seen through our existing television advertisements, foreshadowing for hopeful future generations a promised future life of happiness and security in the land of plenty.
A boy meets a new friend thanks to a bouncing ball.
Hand painted, scratched animated Super 8 film examining the contradictions of the psychopathology of colonization.
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
For a young boy, ordinary facts and things of daily life seem to have great importance.
The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.
A group of Staten Island radicals lead by ex-philosophy student Marie and her boozy filmmaker boyfriend Nick attempt to kidnap the CEO of the Leo Corporation but instead accidentally capture Daniel, a nutty small time accountant. With Daniel in custody at their commune, several of the radicals attempt to 'revolutionize the bedroom', an endeavor further complicated by a surprise visit from Marie's tough boy ex-lover Junior.
A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.
An abstract experimental short film from Jordan Belson.
Experimental Super 8 film featuring animated 3-D puppets based on the characters in Picasso’s painting.
Hand painted, scratched Super 8 film meditating on Puerto Rico's political status through the layering of traditional Bomba music and governmental speeches.
Musings about what it means to travel, let the imagination fly, and to escape from reality. Combines documentary footage, animation on paper, and hand-painted and scratched film.
An anthology film told through a spoken word narrative, chronicling the mental states of three filmmakers while under the conditions of the Covid-19 pandemic.
A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
Melting shows the natural monostructural disintegration of a strawberry sundae, its passage from rigidity to softness, from edibility to waste. The spoon resting on the plate refers to the human presence, which lurks behind the screen, declining to interfere with what transpires. Preserved by the Academy Film Archive in 2009.