Revolutions Per Second

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

40,000 years in the making: Kogonada's video essay created for The Connected Series.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

In Vietnamese artist Thi Nguyen’s tranquil essay film, a letter exchange unveils the changing uses of space in various provinces and the different ways its inhabitants remember history.

Fragmentum Cinema: Sueños

A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.

Rastros que Deixamos

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

This video will teach you how to write your own autobiography, with examples from the narrator’s life.

Carta para Raúl Ruiz

Italy, March 1980. César travels to the ruins of Pompeii with the extravagant intention of recording psychophonies, supernatural echoes of the great eruption of Mount Vesuvius that destroyed the city in the 1st century, but he does not succeed. However, on one of the tapes a strange phrase, much more recent, is recorded, words that César has already heard somewhere…

The Drone is the Message. It's not the laptop nor phone that best typifies our relationship to the internet. It's the drone.

Celestial Night is a film on visibility and questions what it means to see. It is a film about what is invisible apart from the imagination: Celestial Night is a film dealing with this vital power, the ability to envision. It is a search in present day Japan for the mythical Japanese Emperor Amayonomikoto who was blind, and the story of a time when seeing was not believing.

This film essay about mushrooms and their connections to other living things tries to use the structure of mushrooms to explain nature, science, and civilization, all the while searching for various analogies, such as the similarities between mycorrhiza and other structures.

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González