Calle Bardem

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

A short documentary about Fritz Lang's film 'Frau im Mond', and its relation to the science and history of real space travel.

A short documentary about the making of Chaplin's "Limelight."

A short documentary about the making of "The Great Dictator."

A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.

A documentary about Borowczyk's 'Goto, Isle of Love' and its creation, featuring key cast and crew members.

A documentary about Walerian Borowczyk's short films and animation, featuring his collaborators from that time.

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

A documentary about the making of Walerian Borowczyk's 'Blanche'.

A short documentary about the making of Peter Graham's 'Gunpoint', featuring an interview with Graham.

John Cazale was in only five films – The Godfather, The Conversation, The Godfather: Part II, Dog Day Afternoon and The Deer Hunter – each was nominated for Best Picture. Yet today most people don't even know his name. I KNEW IT WAS YOU is a fresh tour through movies that defined a generation.

A short documentary about the making of John Ford's "Rio Grande."

A documentary about the work of Buster Keaton.

Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey.

Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.