Reflexiones de un salvaje

Director Hannah Livingston spends 6 months tracking two of America's most radical Christian hate groups - a notorious pastor from Arizona and a network of extremist preachers.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A portrait of a family living in a village in Masuria.

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

The story of community in the Deep South that is forced to deal with the struggles of ignorance, hypocrisy and oppression.

Part Two: SMALL HAPPINESS - Despite the tremendous advances women in China have made, serious problems continue. Long Bow women talk about love, marriage, work, birth control, birth customs and the now outlawed custom of foot binding. Truly moving interviews with Lingqiao and her mother-in-law draw us into their lives.

A sample of the most relevant and characteristic aspects of traditional Navarran culture: carnivals, pilgrimages, crafts involving farm implements and tools, agricultural work, patron saint festivals, and other manifestations of rural society and folklore unfold over 150 minutes at the pace set by the seasons. The film is a reference document of prime importance on traditional Navarrese society, which was beginning to disappear in the years when the film was shot due to the rapid transformation of the region into an industrialized society. More than thirty years later, this process has been almost completely accomplished, giving the film a unique added historical value.

A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.

This film illustrates the struggles of Canadian prairies women to achieve a more just and humane society within the farm movement and at large. During the early 1900s, women on the prairies looked for ways to overcome their isolation. Out of the resulting farm women's organizations grew a group of women possessing remarkable intellectual abilities, social and cultural awareness, and advanced worldviews.

A documentary following Zhou Yuanquiang, a cultural worker in Jingdezhen, China who makes movies with untrained local actors.

Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.

When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.

This film is a story, testimony and documentation of the forced disappearance of 43 student teachers, which exposes the criminal complicity between the police and military authorities, between the political and economic elites and criminal organizations in Mexico, which appear to be different forces, but respond to similar interests.

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.

Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.

84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.

The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.

Le fantôme de Mirabel

Director Pedro came to Japan in April 2011, started shooting in the village Totsukawa of Nara Prefecture. He, as Himotoku, began to spin the story with his camera instead of a brush…

A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.