Coombs

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Horizons...

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.

Tierra y Libertad is the name of a united front of former Mexican peasants gathered on the outskirts of the city of Monterrey, in the industrial north of Mexico, who are occupying urban land and building their own type of society there.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

Documentary following a community of herders in the Scottish Highlands preparing young reindeer for their first Christmas, including an orphaned reindeer calf who battles against the odds

Dialogue-free short detailing the daily tasks of a man and his wife.

A man ventures out into the streets of a pandemic-ridden London.

Affectionate portrait of Timothy "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses.

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

The way to the bus stop is the same everyday in this remote semi rural neighborhood. But when concrete blocks and trucks start to appear on the middle of the street, it's necessary to take a detour. The landscape and daily routine of the residents are completely changed.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

Documentary about filmmaker Jean Grémillon.

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.