Banned Alive! The Rise and Fall of Italian Cannibal Movies

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

This collection of David Lynch's short films covers the first 29 years of his career. Four of his earliest underground films—Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974)—are showcased, as well as two works from further into his career—The Cowboy and the Frenchman (1988) and Premonitions Following an Evil Deed (1995)—which were originally released as segments of anthology projects. Each film is given a special introduction by the director.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.

Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.

Film which travels inside the singular world of one of Italy's most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story - the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy's richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)

It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.

Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

The legend of Floripes, is about an enchanted moor of Olhão, in the Algarve. Enchanted moors are one of the cornerstones of Portuguese mythology. They are often seductive and being temptresses, they can offer a powerful reward, but also a terrible curse. Left in Portugal during the Reconquista while her family went back to North Africa, beautiful Floripes was condemned to roam her ancient kingdom in the Algarve until a man could undo her curse. Then she would marry him and give him her fabulous treasure. But if the man fails, she must eat his heart.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.