A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
About a group of door-to-door salesman who try to sell vacuum cleaners from "Vorwerk", a German manufacturer.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Film which travels inside the singular world of one of Italy's most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story - the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy's richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)
Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.
Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
Forrest J. Ackerman styles himself as the number-one fan of science fiction and horror movies, and he has the collection to back it up: more than 350,000 books, publicity stills, lobby cards, props, posters and paintings related to his obsession.
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
A documentary on the making of Frank Henenlotter's Basket Case trilogy.
In 1973 the Halloween industry would be changed forever When Knott's Berry Farm in Buena Park, CA, hosted their very first Halloween Haunt event. Many years later, employees of the park known as "Street Monsters" developed a new scare tactic that involved sliding great distances across concrete asphalt in order to surprise and scare the guests of the event. In this film you will hear the stories of the Street Monsters who invented or who refined this skill into what it is today and also see what it takes to be a Street Monster at this event.
At 15 years old, Kyle Kuchta went to his first horror convention. Years later, he visits multiple cons to understand why these gatherings are so important to horror fans, vendors and celebrity guests.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotblond') lures men into her web. Revealing a shocking true crime story that shows the Internet's power to unleash our most dangerous fantasies.
Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.