“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested. The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.
The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.
Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.
A rural Iowa schoolteacher becomes a national voice against racism after leading a controversial 1968 lesson in discrimination with her all-white third-grade class. Now nearly 90, she refuses to hold back amid today’s fights about race, history, and power after a lifetime of speaking out.
An intimate insider’s journey to uncover buried truths and explore how the community in Monroe, Georgia has been impacted by the 1946 quadruple lynching and decades of racial injustice, shattering a code of silence that has distanced neighbor from neighbor for generations.
When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.
Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.
An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.
Documentary film exploring the lives of the people at the flashpoint of the LA riots, 25 years after the uprising made national headlines and highlighted the racial divide in America.
Lillian Smith: Breaking the Silence is a 50-minute documentary about the life and work of Georgia writer and activist Lillian Smith (1887 – 1966). This documentary explores her legacy and the life journey that led to her awakening, from her childhood experiences in a small southern town, to her years of living abroad in China, to directing a girls' summer camp in North Carolina. By the time she published a bestselling novel in 1944, her moral compass was finely tuned to the changes needed in the southern U.S., and she spent the next two decades confronting the ugly institution of segregation, saying that it harmed whites as much as blacks. In the decade before her death she wrote about the need for freedom and respect for everyone everywhere.
What if this next generation could transcend racism? One year, 12 teens, on a remarkable journey to face racism and white privilege, have the conversations most of us are too afraid to have. Once they push through naivete, guilt and tears, what they learn may change us all.
A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.
In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.
In April 1999, three Lakeside brothers murdered a Mexican migrant worker by beating him to death. Producer Lee Harvey spent several months talking with Lakesiders--teachers, social workers, longtime residents and teens who are avowed racists--to unearth the reasons why kids would commit this gruesome crime and why it happened in the peaceful, semi- rural town of Lakeside in eastern San Diego county.
Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.
In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.
Pop star Leigh-Anne Pinnock confronts her experience as the only black member of Little Mix, and as a black woman in the music industry. She embarks on her own very personal journey to understand how she can use her platform and privilege to combat the profound racism she sees in society around her.
This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.