An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
In the life of Mr. Lai Man-wai, he had seen the most turbulent times of recent Chinese history. From the fall of the Qing Dynasty to the founding of the Republic, from the Sino-Japanese War to the founding of the People’s Republic. With a patriotic spirit, he joined the revolution and used the theatre to promote the revolutionary course. For a ‘stronger China’, and ‘education for all’, he chose film as his life long goal and career. Lai was more than the father of Hong Kong cinema was; he was also one of the pioneers of the Chinese cinema. He made Hong Kong’s first short fiction film ‘Zhuangzi Tests His Wife’. He opened the first Chinese owned cinema, the New World Cinema, in Hong Kong…. In the several decades, Lai had devoted his life and fortune in writing this glorious inaugural chapter in early Chinese film history. The technical enhancement, the introduction of foreign techniques and equipment were all part of his contribution to the Chinese cinema.
Documentary about new chinese cinema.
Based on the beloved children's book, elementary schooler Wang Bao discovers a wish-granting gourd that gives him the ability to make his dreams come true. Due to the gourd's erratic nature, Wang Bao confronts his own dishonesty amongst his peers and family, and realizes that you might not get everything you wish for.
A police sniper teams up with a hot-headed rookie to take down his former friend and teammate, who is exacting revenge on the police force.
Part two of A comedy film set on Shanghai film studio. The background events frequently involve the shooting of other films being made at Mingxing Film Company at the time. This includes a sequence of the 17th episode of the silent wuxia film series Burning of the Red Lotus Temple, which is the only known footage from this historic series to exist.
Su Jin meets Li'er. As their bond grows, the weight of Su Jin being the crowned prince and Li'er as a cat spirit grows heavy.
A woman attempts to reconcile with her identity as she delves deeper into her violent, overbearing paranoia, colliding with her attempts to find herself or take comfort in memories past.
Apartamento 62
Experimental dramadoc about high-functioning alcoholics and problem drinking in the workplace. Based on the testimony of real people, with actors playing out their stories and the whole film mimicking the texture of a witty and gritty observational documentary.
The “Journal Annales” consists of almost 2.000 hours of video footage collected by filmmaker Lionel Soukaz since 1991. For “Carottage”, the idea was to take a random sample from this vast volume, like a geological core sample. The result is a condensed history of political struggles and radical cultural experimentation spanning two decades.
Following Professor Lee White, the Environment Minister of Gabon, and President Ali Bongo as they act to save one of Earth's most vital natural habitats in the face of cartels and corruption.
Six runners face the Superior 100, a 30-hour, 100-mile trail race. How do they prepare and how will it change them?
Documentary commemorating the 40th anniversary of the 'Carry On' comedy film series. Archive clips and out-takes are mixed with interviews with the cast.
Le Pen, l’éternel combat
Churchill, a name typically associated with braveness and altruism. Recently found evidence from Soviet and British sources however brings up questions about Churchill's doings in the conferences of Tehran, Yalta and Potsdam. Why did he agree to give Stalin large parts of Poland? The story of two world leaders in times of war - it is also the story of Poland.
Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.
Manolito Espinberg: une vie de cinéma
A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical anarchist subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]
When Kennedy announced in 1961 that he wanted to take humans to the moon within a decade, Charles M. Duke was skeptical. Almost 11 years later, however, Charles M. Duke was standing on the moon himself. He gave Neil Armstrong the go-ahead for the landing on Apollo 11. Because he contracted rubella, the Apollo 13 crew had to be changed. In 1972, he landed with Apollo 16 and looked down on Earth from the moon himself.