The Picture of Dora

Unlocking memories of institutional ‘care’. Parragirls Past, Present is a deeply moving immersive experience, presenting former residents’ visions of the Parramatta Girls Home today.

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

At the end of the 80's, the city of Itacuruba, in the backlands of Pernambuco, was transferred to another locality due to the construction of a hydroelectric plant. In the new region, the city began to register many suicides, reaching a rate ten times greater than the national average. Through memories of the lost city, villagers reveal that the root of a people is like the root of a tree: essential to life.

An old, ailing general is losing his memory. His anarchist son wants to connect. They share a passion for the Wild East, where grandfather was a famous explorer among Mongol tribes. He died under mysterious circumstances in 1948 in Afghanistan. Rumors say he was a British agent and gunrunner. Michael, the grandson, takes his father Søren out of the nursing home. He wants him to taste life, and he wants them to spend time together. The odd couple travel across China. They encounter temples, chiefs, and ancestors who reveal that the grandfather was a true Lawrence of the East. A man who fought to unite the Mongol tribes and defend them against the Soviet Reds.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

From HBO's "America Undercover." On June 30, 1969, Lt. Jack Hulme was killed in Vietnam, having never met his newborn son. Thirty years later, filmmaker John Hulme finally seeks out what happened to his father, and who he really was. From family members and childhood friends to the soldiers who fought beside him, John tracks down everyone, chasing his fathers ghost across the country. What he discovers is a life that mirrored a generations struggles...husbands vs. wives, soldiers vs. protestors, America vs. Vietnam. But he also finds wounds that are painfully fresh, especially his mothers. Together, using the accounts of first-hand witnesses, they travel back to Vietnam, to the place where Jack spent the last few moments of his life so they can finally come to terms with his death.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.

The night is falling and Montreal is under the snow. People line up at the lost and found office of the city’s transit company. They all have lost something, which, upon reflection, becomes the symbol of a deeper loss. Prayer for a Lost Mitten is a creative documentary by turns melancholic and festive, yet ever compassionate. A film that helps us get through the winter.

Yeon Park orders a time machine on eBay for her father’s birthday, seeing it as an opportunity to discover a few truths about her family’s past. Yeon responds to her father’s private prints through another distribution of the sensible. Fun and intimate, I Bought a Time Machine uses technology like a mediation necessary for communication.

Liberta

Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.

A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.