Erich Von Stroheim

A group of Macedonian women are shown hard at work.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

A life long dream of making a feature film turns into a comedic disaster for a New Jersey filmmaker.

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

Short documentary on the Antwerp Ford Motor Company plant.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Documentary about the Belgian filmmakers Jean-Pierre and Luc Dardenne trying to reveal their 'secret working method'

IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".

In this previously unseen backstage documentary, Peter Greenaway responds with great generosity to the open-ended questions posed by an off-camera Gideon Bachmann about the process which led to the creation of one his most important films, The Belly of an Architect, giving contemporary audiences an insight into his ideas, the rigour of his reflections and the development of the project.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.