Aérobie

A trip towards abstraction, as an hypothesis on how mountains might have been formed.

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

It is a 2D experimental animation which is accompanied by the music, “Pulse At The Centre Of Being” composed by Max Cooper. Beautiful things happened inside a human through different combinations of flowers, organs and body parts.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

The story of Adam and Eve with jazzy music. Short experimental animation without words.

Building on testimony from pro-Palestinian activists in Berlin and featuring demonstration footage from between 2023 and 2025, this animated documentary explores activist culture and the people who have spent the past 2 years clashing with German police. By applying an expressive and colourful brush stroke to the experiences and anecdotes of two people closely involved with the movement, we look into the motivations that have driven them to get involved and their reactions to the repression they have experienced. Staatsraison attempts to shine light on police violence and explore how repression can drive someone ever further into a political movement.

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

The film was produced applying mixed techniques on Super 8 film support.

La Costante di Archimede

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Abstract animation by Young-jae Shin

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Untitled / Aubrac

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.