To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
An obsessive, genius programmer sacrifices everything in his personal and professional life to build a computer of unprecedented power.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
Mickey Mouse, piloting a steamboat, delights his passenger, Minnie, by making musical instruments out of the menagerie on deck.
To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.
A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Fantaisie érotique
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
A pampered gentleman's seamlessly automated life is thrown into chaos when he pursues a free-spirited woman, against the advice of his robot butler.
Bill struggles to put together his shattered psyche.