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The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

A duo of street performers learns how sound and picture work together to create amazing cinema experiences.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.

Fantaisie érotique

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

Part of Max Fleischer's "Out of the Inkwell" series.

Silhouette film. Based on Bizet’s opera “Carmen”.

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

Max and Dave Fliescher are eating hot dogs in their animation studio and begin drawing. The hot dog becomes a "real" dog, and it and Ko-Ko the Clown alarmingly end up inside a Gas Chamber.

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

A rare spoof. With the success of the 1925 film, The Lost World, it is common that when something is popular and successful, it is bound to be a subject for parodies and cash-in attempts. One of them was The Lost Whirl. This film featured stop-motion animation by Joseph L. Roop, who worked on the original classic, The Lost World.

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.