Achtung Kinder Pumm

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Over 4 hours of rare footage of both CV-8 and CV-12, including the film "The Life and Death of the U.S.S. Hornet, footage from the Doolittle raid and CV-8 at Santa Cruz. Features footage from the launching of CV-12 through her WWII service, including flight deck activities, gun camera footage and more. Also includes footage from the Hornet's recovery of Apollo 11 and 12. Bonus features include a Navy Training film on catapulting from a carrier and film on Torpedo Squadron 8.

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15­year­ old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.

Poet Emily Dickinson, pigeonholed as the strange recluse since her death, takes you on a journey through the seasons of her life amid 1800s New England.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Julius Caesar's Greatest Battle

Cicero, the future Consul of Rome, is just starting out as a trial lawyer in crime-ridden Rome where assassinations for political advantage and for estate grabbing had become de rigueur. The matriarch of a prominent family hires him to defend a relative on a charge of patricide. He faces one of the shrewdest criminal trial prosecutors in the Republic who is backed by powerful political forces with motives to see that his client is convicted and executed in one of the most horrible manners possible.

A film made of archives mostly unknown, on the last day of the Second World War in Europe and on the events which preceded it. This film also shows the growing tension between the Allies and the Soviets at the time: May 8, 1945 is also the first day of the Cold War.

War and Peace of Mind explores what war does to the human mind and how both, the individuals and the nation as a whole, survive it psychologically. Finland and WWII, locally known as continuation war, is the backdrop of this documentary.

Korespondent Bryan

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.

Behind-the-scenes documentary focusing on Marcus Luttrell, the lone survivor of a four-man Navy Seal team ambushed by the Taliban in 2005.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Jeremy Clarkson tells the dramatic story of the Arctic convoys of the Second World War, from Russia to the freezing Arctic Ocean.

Cuando España se desnudó

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.