Sam's Song

Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.

Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A film editor breaks up with his girlfriend, unsure if he is in love.

A sophisticated Hollywood film editor, on location for a film she is working on, falls for a local cowboy who is hired to work on the film.

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.

This film tells the life story of Ziva Postec, emphasizing the period when she was editing Shoah from 350 hours of footage.

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

Edward is a friendly, harmless film editor in the splatter and gore department of a horror film company. Ed is assigned to work on the new Loose Limbs series of horror films after the previous editor killed himself with a hand grenade. Later his reality begins to twist and distort into a horrifying world where nothing is as it seems. Soon enough this turns Ed into Evil Ed!

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)

Observing the behind-the-scenes experiences full of stories, film editors struggle alone in silence, facing time pressure and demands for perfection, as they try to maintain mental balance amidst the endless routine.

This is a film about old fashioned Bulgarian customs and moral rules. A pre-arranged marriage of two children is no obstacle to true love.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

Born in a small village, Yordan has to live and work in the nearby town. Only on the weekends can he return to his native village. He travels by a bike and observes the nature and the animals around him with overt sadness. In the village arrives a young pharmacist and she rents his house. Soon both of them fall in love. In order to be near her, Yordan tries to persuade his colleagues to move one of the workshops from the plant to the village. But they are all used to living in the town now and decline his offer. Yordan realizes that he cannot demand impossible things.

A surrealistic comedy-drama about a school shooting as seen through the eyes of a socially awkward college student named Jay. Walt Whitman, the shooter, is loosely based on Charles Whitman, but the film is not in any way a factual account of the 1966 shootings at the University of Texas.

There were times when stealing girls in these lands has been a worthy vocation, was a habit and a sort of custom in Bulgaria. Only the strongest and most experienced men took the profession up. A young and brave Bulgarian highlander was given the job to bring, no matter how, a certain beautiful girl to be married to somebody.

Boev, an enthusiastic form master, is trying hard to establish rapport with his final-year students. His frankness, buoyancy and good nature soon make him a universal favorite. The only one who does not approve of him is headmaster who loves his job, but is not aware of how dated his own views are and cannot understand the young teacher. Apart from this, Boev comes in into particularly sharp conflict with his colleague and childhood chum Kiril who is consumed by jealousy and the ambition to get promoted quickly.