Sam's Song

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A sophisticated Hollywood film editor, on location for a film she is working on, falls for a local cowboy who is hired to work on the film.

Evan, an orphaned 22-year-old who grew up in the foster care system, buys a vintage 8mm camera in a yard sale from an elderly man, ends up with reels of the man's old home movies, and begins to live vicariously through these home movies.

A film editor breaks up with his girlfriend, unsure if he is in love.

Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.

Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about.

Observing the behind-the-scenes experiences full of stories, film editors struggle alone in silence, facing time pressure and demands for perfection, as they try to maintain mental balance amidst the endless routine.

Edward is a friendly, harmless film editor in the splatter and gore department of a horror film company. Ed is assigned to work on the new Loose Limbs series of horror films after the previous editor killed himself with a hand grenade. Later his reality begins to twist and distort into a horrifying world where nothing is as it seems. Soon enough this turns Ed into Evil Ed!

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

An editor and his daughter work to restore a family heirloom — an old silent horror film — unaware that each frame inches them closer to a dark spirit.

Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)

This film tells the life story of Ziva Postec, emphasizing the period when she was editing Shoah from 350 hours of footage.

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

A film director and sound designer discover a disturbing sound cue hidden in the mix of their short film, forcing the director to confront demons from his past.

A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.

Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.

When a young boy makes a wish at a carnival machine to be big, he wakes up the following morning to find that it has been granted and his body has grown older overnight, but he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups, including getting a job and having his first romantic encounter with a woman.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

In May of 1983, a man turns 49 and, with his 17-year old son, journeys to the village in Baden that he left 40 years before. He wants to discover what happened then, the truth about an affair his mother had with a young Polish prisoner of war, how the authorities came to learn of it, the lovers' arrest, and the aftermath. While his son takes Polaroid photographs, he retraces the steps of his childhood and interviews those who should remember. The story is disclosed in flashbacks that focus on the lovers (Paulina and Stanislaus), on a jealous and conniving neighbor, and on Mayer, the local SS commander who wants to find a way out of inevitable consequences.