A Litany for Survival

Bachar à la ZAD

Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.

Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.

Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.

A villager of Desa Jepitu named Rubiyanto conducted a water extraction project from Gua Pulejajar with a group of volunteers. Echa, a student of cultural anthropology, involved herself in the project for her research. The water reserve in Gua Pulejajar does not only give hope to Rubiyanto and the other villagers of Desa Jepitu, but also reignites spiritual relations between Echa and her late father, who was a former activist of Gua Pulejajar.

Vena, a Catholic, lives in the Muslim-majority region Aceh. Vena wears veil in her daily life and befriends many Muslim friends. Nevertheless, how can she be herself and adapt as a minority at the same time? Family plays an important role in her life.

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Short film about racism.

O Que Trago do Chumbo - Os 50 Anos do Golpe Militar

A short documentary chronicling the coming-of-age story of generation z punctuated by numerous culturally significant moments, known as period effects, that have bred a generation of young activists.

Matt Walsh goes deep undercover in the world of diversity, equity, and inclusion. Prepare to be shocked by how far race hustlers will go and how much further Matt Walsh will go to expose the grift, uncovering absurdities that will leave you laughing.

An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

Black Snake Killaz is a feature-length documentary film about the resistance to the Dakota Access Pipeline. This film explores actions taken by water protectors to stop the construction of the oil pipeline and highlights actions taken by law enforcement, military, and corporate mercenaries to quell the months-long protest. Black Snake Killaz timelines the historical events that unfolded in Standing Rock throughout 2016 and brings you the raw experience from many frontline actions to protect the water. Although the Dakota Access Pipeline is completed, the impact of the movement will be long-lasting. As fossil fuel extraction projects continue to impact some of the most vulnerable communities throughout the United States of America, the importance of the water protectors story grows.

Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.

In 1951, a woman died in Baltimore, U.S.A. She was called Henrietta Lacks. These are cells from her body. They were taken from her just before she died. They have been growing and multiplying ever since. There are now billions of these cells in laboratories around the world. If massed together, they would weigh 400 times her original weight. These cells have transformed modern medicine, but they also became caught up in the politics of our age.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."