No Apologies

The absolute queen of country music, Dolly Parton succeeded in rallying a fractured America to her peroxide-colored beehive and her self-assumed paradoxes. Portrait of an immense artist and an irresistibly mischievous icon.

Hoyerswerda '91

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Falácias

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Amidst the storm of Ferguson, 7 St. Louis college students evolve into advocates and activists as they demand change through policy and protest

In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

A team of Romany football players try to overcome prejudice in this Czech documentary.

A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

AN OUTRAGE is a documentary film about lynching in the American South. Filmed on-location at lynching sites in six states and bolstered by the memories and perspectives of descendants, community activists, and scholars, this unusual historical documentary seeks to educate even as it serves as a hub for action to remember and reflect upon a long-hidden past.

An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.

French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.

In July 2020, Rob Bliss, a young, white filmmaker, posted a video of what happened when he held up a ‘Black Lives Matter’ sign in Harrison, Arkansas, 'the most racist town in America'. It went viral, attracting 12 million views. What Bliss did next was remarkable. Over 1500 miles, two months and 25 miles a day, he set out to walk through the American South, wearing a Black Lives Matter t-shirt, and a sign that invited people to ‘come walk with me’. His goal was simple: to take the conversation Floyd’s murder had sparked about racism in American society into the places where it was most needed, yet most silent.

Oproerkraaiers

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.