It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
When a Black doctor develops a serum that is supposed to regenerate dying liver cells and tests it on himself, it accidentally turns him into an albino monster with a lust for murdering prostitutes, pimps and drug dealers.
Although notorious New Orleans gangster J.D. Walker is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of a mild-mannered law student and seek revenge on those who got him killed.
Danish adaptation of Trilby. Presumed lost, though a single still apparently depicting the novel's climax survives.
Wilton, a hunchback, who was always scorned and ridiculed by women, returns from Java a rich man after having discovered a diamond mine. He romances Gina, who is on the rebound from a broken affair, and showers her with expensive gifts. After Gina reconciles with her boyfriend, she continues to see Wilton because of what he gives her. After he discovers her perfidy, Wilton develops a poison and mixes it into her lipstick, which will kill any man who kisses her. Lost film.
An 18th century African prince is turned into a vampire while visiting Transylvania. Two centuries later, he rises from his coffin attacking various residents of Los Angeles and meets Tina, a woman who he believes is the reincarnation of his deceased wife.
Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.
Laurel Oberion thinks she's buying a nice house, but gets more than she bargained for! Haunted by a dead anthropologist and his satanic wife, Laurel's newfound home turns into a bloodbath of sexual desires when pain and pleasure mix indiscriminately. A basement of terror hides the secret... blood flows as human sacrifice leads to resurrection of a Dark God... and only Laurel can stop it before it's too late! Writer's block becomes psychotic madness in METAL NOIR, where blood-spattered sex leads to face-stabbing gore!
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
Five hot sexy young big-breasted chicks are raped, abused, tortured, and killed (?) by an evil jive-ass talking doll possessed by the spirit of an executed black militant death row inmate. Who will survive...
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.
Eddie is a Vietnam veteran who loses his arms and legs when he steps on a land mine, but a brilliant surgeon is able to attach new limbs. Unfortunately, an insanely jealous assistant (who has fallen in love with Eddie's fiancée) switches Eddie's DNA injections, transforming him into a gigantic killer.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.
A doctor kills and embalms a woman in order to preserve her beauty.
Old Silas Blackburn, a wealthy recluse, lives alone with his butler and his ward Katherine. One night, Katherine discovers Silas murdered in the room where three generations of Blackburns have mysteriously died. Silas' grandson Robert, whom Katherine loves, comes to visit the next day, suffering from amnesia.