El Estado soy Yo

Inconsolable Memories is a black and white film installation consisting of two 16 mm film loops projected alternately onto one screen in a dark gallery space. Both films feature archival documentary material, including footage of the streets of Havana and black and white photographs of artists and intellectuals in Cuba, combined with scenes filmed by Canadian artist Stan Douglas on a set in Vancouver. One of the films consists of five sequential parts, while the other has only three parts. The five-part film is almost twice as long as the three-part film, so that although both loops start playing together, they quickly go out of sync with one other.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Every encounter with an image, every interaction searches for its own form. She is the other gaze is a collaboration with five female visual artists of an older generation who have been part of the Viennese art scene since the 1970s and engaged in the women's movement. In dialogue with the filmmaker Renate Bertlmann, Linda Christanell, Lore Heuermann, Karin Mack and Margot Pilz share their early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers, the protagonists are a great influence on the contemporary art scene and the self-understanding of younger artists today. With their voices and narratives, they become collaborators passing on feminist thinking and artistic experiences.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails, meticulously counting every butterfly he sees and witnessing the slow erosion of the world. His eccentric, patient research has uncovered patterns of decline that went unnoticed for years, revealing the deep environmental impact of detrimental human activities. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

Mediocre

In the meadow, the boundaries between reality and fiction become almost imperceptible. "Pradera" is a photo essay that explores the themes of loneliness in adulthood and human mortality through photographs and videos of miniatures.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.