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Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

It's December 16, 1972, 50 years ago. The first social cooperative in the world is born in Trieste. It was formed by 28 people: two sociologists, two psychologists, five nurses, a healthcare assistant, two doctors and sixteen private individuals who all have the same residential address: via San Cilino 16, Trieste. They are interned in a psychiatric hospital and therefore have no civil and political rights: they cannot vote, marry or make a will. Imagine founding a cooperative. Thus the Court of Trieste rejected the request to establish the cooperative. It would have been a long march through the institutions.

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

Andres Kurg is an art historian who likes Danish modernist architecture and therefore wants to settle there. He argues with Danish officials to grant him a residence permit for aesthetic reasons.

The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.

A couple receives a letter of eviction: they must leave their home in Trento within 60 days. They are two political refugees: he is Afghan and she is of Iranian origin. They have a 10-year-old son, Sepanta, who grew up in Italy, and has no memory of his grandparents, either paternal or maternal. They decide to dedicate these 60 days to their son, to offer him a different idea of home, and thus undertake a journey to his mother's native country. But an unexpected event upsets the plans.

"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.

Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.

Thousands of undocumented migrants are illegally employed and exploited in the Italian crops to grow Italy's food. One Day One Day follows their lives from the inside of Italy's biggest slum.

"Dance or Die" is a moving documentary about a young Syrian dancer who escapes the war and finds a new life in Holland. But the ghosts of the past won't let him go. With the war and the advance of the Islamic State in Syria, the young classical dancer Ahmad Joudeh lost everything – part of his family, his home, but also the right to practice his art. However, he will use dance as a weapon against Daesh. Three words adorn the neck of Ahmad Joudeh: Dance or Die. The tattoo is a declaration of war against IS if it takes him over. (Text: arte)

Crownsville Hospital: From Lunacy to Legacy is a feature-length documentary film highlighting the history of the Crownsville State Mental Hospital in Crownsville, MD.

Seeking Asylum is a feature documentary that bears witness to the endless deterrents migrants face when petitioning for asylum in the United States. In a dismantled system that has been designed for failure, we follow one woman's journey as she searches for protection for her and kids. Many people view getting to the United States as the final hurdle of the migration journey, but we quickly learn that once in the U.S. the fight has just begun. During one of the most uncertain times in our country's history, Seeking Asylum documents the challenges asylum seekers face and shows why asylum is an integral part of the American Dream that we cannot afford to lose.

After two months of a hard-fought strike, accompanied by a day-and-night occupation of the premises, Jeune Afrique's workers were the victims of a court order authorizing their CEO, Bechir Ben Yahmed, to have them removed by the police. If they resisted, they risked falling foul of the law against rioters. To avoid the African comrades being deported from France, the strikers decided to leave. But before leaving, they organized a demonstration of solidarity with hundreds of journalists from the traditional and revolutionary press.

A group of children living on the streets of Athens. Among them is Sayid, a twelve-year-old boy, who works all day selling sunflower seeds in the city’s parks and squares. His existence borders on absolute poverty, as he goes looking for food at soup kitchens. His daily routine in the chaotic capital of Greece is a continuous struggle for survival. At the same time, however, he manages to find and enjoy the freedom the city streets can offer. Sayid, along with his friends who are all immigrants from Afghanistan, escape their desperation by clinging onto their hopes. With them, he plays innocent childhood games and dreams of a better future: He wants to leave for Northern Europe, to go to school, and to get a decent job when he grows up. Sayid is trapped in Greece, a country plagued by a financial crisis, increasing unemployment, rampant xenophobia, and racist violence. Sayid doesn’t mince his words: “I’ve been here for about two years, and it feels like twenty.”

After losing her father at an early age, Tina Duran explores the rich history of her father, the story of her ancestors who migrated from Mexico to the United States, and the impact the Vietnam War had on their community.

“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested.
 The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.

An unusual friendship in an agitated political context.