Shooting

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

Hallo Mabuse captivates through its reduction, in which a conspiratorial narrative takes place, but even more so, the images themselves appear ambiguous, obscure, untrustworthy. A nod of the head, which seems treacherous in its mechanical repetition, meets the profile of a bearded man who does not appear to react at all in a suggested counter shot. The slight flickering of the image further intensifies the impression of an illicit agreement, of witnessing a crooked handshake. The ringing of the unseen telephone and the constant ticking of a clock lend the events a limited temporality. Something is running out, and in doing so, is also already reaching its end, a ghostly final act, which is anticipated by an explosion and breaks off with the sound of a falling guillotine.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.

All images were shot on 16mm film in the shadow of the Ryman Auditorium on Lower Broadway, a section of Nashville that has for decades attracted country music fans to its honky tonk bars. The visual effects were composed in-camera, while shooting on the street. This film was supported in part by the Tennessee Art Commission.

YOU ARE BORING! discusses the troublesome nature of “looking” and “being looked at” in larger contexts including labour within the new economy, performer/spectator relations, participatory culture, contemporary art display and queer representational politics.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Shelter is a multi-layered experimental film that cleverly weaves archival social commentary and recent political activism in a playful analysis of our culture’s misplaced priorities. The film blends a variety of appropriated material — including a homeless demonstration during the gala premiere of an Atom Egoyan film at the Toronto Film Festival — with archival footage of circuses, westerns, and Pierre Burton discussing the pros and cons of building a bomb shelter. Shelter also celebrates the inherent qualities of the film medium, qualities that have quickly become marginalized through the current obsession with digital technology.

In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

An audio collage of snippets of narration culled from true crime TV shows, juxtaposed against serene Super-8 nature footage.

Beneath towering Brutalist architecture, a man is driven to do what must be done.

Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.

Experimental 8mm film.

Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.

Uma Breve História do Cinema

A mass murderer kills his victims, then cooks and eats them

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

A creative documentary about personal experiences of abuse and of selfhood, of colors and words within the context of our lives.