I Might Be There (I Won't)

Beyond all human restraint lies one's lugubrious layers of paint.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

A psychedelic montage of home movie footage gives way to a silent western story.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Rather pointless, rather stilted, fetid; not what we want us going after.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Hiding inside&out, writhing about, taken out&in.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Calangros: Um faroeste sobre o terceiro mundo

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

1 minute experimental film.

Radical recurrences & rancorous requests raze my daze.

Return to 'burn' only to find out you're already in that urn.

I really hope this is well-received. I really hope there's some sort of reprieve.

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

How many movies have you seen where at the end the main character wakes up, causing he and the audience to simultaneously realize that everything they witnessed beforehand was "just a dream?" This film takes that principal but instead of deceiving, the story invites you to watch the main characters dream away. As a result, "True Dreams" takes the dream sequence to a whole new level: it lets its audience in on the joke, while they watch the two main characters run around unaware of the reality/fantasy of their surroundings. This film can be viewed via Vimeo at https://vimeo.com/132642294 (password: truedreams)