I Might Be There (I Won't)

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Return to 'burn' only to find out you're already in that urn.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

I really hope this is well-received. I really hope there's some sort of reprieve.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Hiding inside&out, writhing about, taken out&in.

A psychedelic montage of home movie footage gives way to a silent western story.

Beyond all human restraint lies one's lugubrious layers of paint.

Rather pointless, rather stilted, fetid; not what we want us going after.

Radical recurrences & rancorous requests raze my daze.

Calangros: Um faroeste sobre o terceiro mundo

1 minute experimental film.

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.