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Bomarsund 1854 tells the story of two humanists, whose actions during the Crimean War prevented bloodshed. They are the British hydrographer, Bartholomew James Sulivan, and the Russian commandant, Jacov Andreyevitch Bodisco, two men who fought on opposite sides in the war. It also traces the rise and fall of the multi-cultural community of Bomarsund. The small island of Åland, located in the Baltic Sea between Sweden and Finland, played a significant role in the war that raged during 1854, originally called the Oriental War and partially fought in Northern Europe. The Baltic campaigns became the forgotten theatre of the Crimean War. The attention awarded events elsewhere has overshadowed the significance of this theatre, which lay close to the Russian capital of St Petersburg.

Legendary western swing band leader Bob Wills rose up in the Great Depression to fame in Oklahoma and Texas that soon swept the entire nation. The documentary FIDDLIN MAN offers a full biography of Wills, using a vast array of on camera interviews with his friends, family, and fellow musicians. The film also draws on a wealth of rare archival footage.

A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.

On December 28, 1989, Tanja Hülsen took her first shot of heroin, nine months later she almost died of an overdose. The film follows the life of the drug-addicted woman from the early 1990s to the 2000s.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

A bewitching, mysterious work of enveloping beauty, the film’s ominous title and a dedication to Anne Frank deeply inform our reading of its haunting subtext. Preserved by the Academy Film Archive, in partnership with the National Film Preservation Foundation, in 2009.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

Acclaimed filmmaker Jennifer Fox maps the world of female life and sexuality today -- from the dramatic turns in her own life to the stories of women around the globe that shed light on the universal issues all women face. Employing a groundbreaking camera technique, called "passing the camera", this powerful series creates a new type of documentary language and storytelling that mirrors the special way women communicate.

Romance de Formação

A documentary on the world's largest dam removal project and its effects on the river ecosystem and surrounding communities.

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.

A short film set in the mountainous province of Svaneti, documents the performance of polyphonic men’s funerary laments common to the region.

A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.

Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

Songs for Alexis is a love story following two young teenagers fight for identity and love for each other in a grown up world.

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.

Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.