Nura

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

A love story recounted not by them, but by their belongings and surroundings.

An experimental short assembled from YouTube videos of the director’s former classmate, TV fragments, and a 2006 graduation interview recorded in Alchevsk. What starts as an ironic play with early-2000s home-video aesthetics slowly falls apart. Through montage of personal and online material, Chepelev tries to reconnect with a man he once loved – a man whom war and time have made almost unrecognisable. Laughter loses its protective function and gives way to the impossible wish to return to a place that no longer exists.

Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.

A melodic singer, a man in his underwear, and two people with telekinesis abilities with a saint.

Nommer

An aloof librarian chooses to reflect on the consequences of her lifelong curse of perpetual luck - a coin with seemingly more than two sides.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

Two men reunite, struggling to reconcile past trauma, leading one of them to avoid the other at all costs.

A fictionalised essay read by Ben Wishaw exploring the complicated relationship between British espionage and male homosexuality. An anonymous narrator talks through the various chapters of his life as a spy and a gay man in late 20th-century Britain. His vivid stories of intimacy and surveillance play out over shots of the luscious countryside, busy Central London streets, and nighttime cruising zones.

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.

After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

A person spends most of their life mourning the things they have lost, unable to move on. They frequent a silent but helpful medium and embark on a spiritual journey where they linger among their past lives.

Corazón en el cenicero

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

A tiny bug crawls across an unknown landscape as it continually metamorphoses around the creature. Suddenly, there is a twist.

Despite her blindness, the famous singer Sophie Martell, who lives in Venice, has remained a cheerful, optimistic woman. However, she does not look forward to much, as her agent David hired journalist Eike Blohm to write Sophie's biography. But soon the idiosyncratic woman falls in love with her sensitive biographers. David, however, is not at all thrilled with Sophie's love affair: he fears that this could expose his scams and embezzlement of Sophie's private assets.