Perfumes of Venus

A Romany woman travels from Praha to her home in Transylvania

IT'S RAINING...

Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

A and N, a couple of peasants create an informal metallurgy workshop in the outskirts of Bogotá in the hope of a better life. The social, environmental and organic consequences they must endure in order to adapt to the industrial capitalism that storms Latin America affects dramatically their relationship and their history.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In a certain fishing village, a memorial service is held to burn abandoned boats, and old fishing boats that have finished their duty have a dream on the verge of death. Deep-sea fish galloping through the alleys, fishermen pulling long ropes, ghosts of screaming girls...

Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.

Tells seven stories about women that serve to illustrate a trip to a world of emotions, with questions about beauty and imperfection, and the importance of the small things in life.

A collage of images and voices of women poets that succeeds brilliantly, both as a tribute to the women whose words are borrowed and as an original videopoem.

The movement of colourful dots, streaks and scratches embellished directly on a film roll synchronise with the cheerful jazz music by Johnny Dodds and the Chicago Footwarmers.

An early experimental abstract animation, made by drawing directly on to 16mm film.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Imagine if David Lynch cast a pensioner or a mummified figure from Pompeii as the star of an experimental short film, and that's what 'Absence' comes close to.

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.