A Woman's Place

A look at the daily life of midwives across Quebec.

Even in the push and pull era which is full of flour and sugar, rice firmly protects the table of the rice bowl nation! There are farmers who grow the rice in different ways. Nam Ho-hyeon, a young farmer who continues his father's family business, challenges farming with agricultural drones that spray coated rice seeds in large quantities, but new technologies that seemed to bring a rosy future leave only endless homework in a series of trials and errors. Lee Geun, an urban farmer who started farming on weekends and fell in love with farming, lives a life of small farmers who touch and cultivate them with their hands rather than machines, and studies and protects the world of traditional native rice that has disappeared in history. Our rice, which grows with sincerity, is filled with happiness, and conveys the power of life presented by nature for a long time! The moving journey begins now!

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity. Augusta is a non-status Shuswap Indian living in the Williams Lake area of British Columbia. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

A portrait of Newfoundland that records a way of life that has all but disappeared.

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.

Mulheres da Pá Virada

In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

On July 1st, 1916, the Newfoundland Regiment took part in a massive First World War offensive on the Somme, led by the British. At Beaumont Hamel the regiment was nearly wiped out, as only 110 of 780 soldiers survived the day. To commemorate its 100th anniversary, Brian McKenna’s documentary film tells the story of this epic tragedy. Using a technique that brings new meaning to reenactment, McKenna recruits descendants of soldiers who fought this battle, offering them a unique opportunity to relive the experience of their ancestors in trenches built specifically for the film.

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.

A woman's voice narrates in a voiceover the state of her body after a male sexual assault.