Ocean Giants

The Muslims Are Coming follows a band of Muslim-American comedians as they visit big cities, small towns, rural villages, and everything in between to combat Islamophobia! These Muzzies not only perform standup at each tour stop but create ridiculous interventions in unsuspecting town squares, like the ol' classic, "Ask a Muslim Booth."

After Anschluss — the Nazi invasion and incorporation of Austria in 1938 — a group of Jewish children travel from Vienna to Oslo for summer camp. But when the time comes for them to return home, the political conditions on the continent have worsened and they can no longer return to their families. In Norway, an orphanage is established to look after these effectively homeless children, one of whom is director Nina Grünfeld’s father.

Do they really launch themselves onto the shore to grab a hapless snack? See for yourself, and gain a vivid appreciation for their appetites and skills. While your jaw drops at their fearsome agility, you’ll also be learning about their migratory and other behaviours from scientists who observe them daily and strive to increase our understanding of their needs for survival. In this National Geographic ‘Wildlife Special’ you’ll journey around the globe to see their extraordinary hunting techniques in action.

Alexandra Pelosi travels through the United States interviewing and filming several evangelical pastors and congregations.

The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

A look at the extensive work of the Austrian multimedia artist VALIE EXPORT. Her role as a key feminist figure and mediator between the international women’s movement and the artistic avant-garde and pioneer are at the center of the film.

Sisters Kate and Melanie haven’t spoken to each other in years since a hurtful scene at Melanie’s wedding. Their parents, Wendy and Al, have let the pain of their daughters’ absence drive a wedge between them, and their tensions have led to a separation. Kate is determined to reunite the entire family for Christmas, and has the perfect spot… their old family home. The only problem is there’s someone else living there now.

The Execution of Wanda Jean chronicles the life-and-death battle of Wanda Jean Allen, the first black woman to be put to death in the United States in the modern era.

Shrek and his friends enjoy themselves with some Karaoke partying.

An airstrip, a hangar and a classroom somewhere in rural Ghana: This is the place where 18-year-old Lydia and 20-year-old Esther hope to achieve their dream: learning how to fly. They have joined the first aviation school for girls in West Africa. There, an ambitious Englishman wants to train young women from rural areas to become pilots. Yet, during training and everyday life at the Aviation Academy Western ideals collide with African values, and the girls gradually realize, that their dream of flying comes at a price.

FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.

What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?

When Umi and Dwipa left Indonesia to work in an Ontario greenhouse as part of Canada's Temporary Foreign Worker Program, they hoped the jobs would provide the opportunity and income for a better life. They didn't expect that fixers and false promises would lead to deception and exploitation. Sadly, their story is not uncommon. Min Sook Lee continues to speak truth to power with her commitment to providing a voice to the silenced, fulfilling documentary's capacity as a powerful tool for social change.

Geraldine and her two daughters, Livvie and Angeline, are living rough on the streets on London. When their van blows up, they must find an alternative place to stay. At first, they live in temporary housing, but the conditions are unbearable. Geraldine reacts quickly and the family decides to take up residence in Scottley's, the best department store in London. They must keep it a secret from doorman Brian (whom the girls call Mr. Whiskers), and a couple of bumbling thieves who want to rob the store safe of its jewels.

The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.

This heartfelt documentary from award-winning filmmaker Mai Masri explores the enduring friendship that evolves between two Palestinian girls—Mona, who was born and raised in the economically marginalized Shatila refugee camp in Beirut, and Manar, who lives in the Dheisha refugee camp under Israeli control. The two girls begin their friendship as penpals, sharing the similarities and differences of life in the two refugee camps. Mona and Manar are finally able to meet face-to-face at the Lebanese-Israeli border during Israel's withdrawal from South Lebanon. But when the second intifada suddenly erupts around them shortly thereafter, both girls must face heart-breaking changes in their lives.

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

Straight from the front lines in Iraq, THE WAR TAPES is the first war movie filmed by soldiers themselves. These soldiers bypassed Pentagon supervised media to share their experience like never before. Funnier, spicier, and more gut wrenching than news reports, this is Operation Iraqi Freedom as filmed by Sergeant Steve Pink, Sergeant Zack Bazzi and Specialist Mike Moriarty. Steve is a wisecracking carpenter who aspires to be a writer. Zack is a Lebanese-American university student who loves to travel and is fluent in Arabic. Mike is a father who seeks honor and redemption. Each leaves a woman behind - a girlfriend, a mother and a wife. Through their candid footage, these men open their hearts and take us on an unforgettable journey, capturing camaraderie and humor along with the brutal and terrifying experiences they face. These soldiers got the story that 2,700 embedded reporters never could.

McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.