Inadequateness of a shadow

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.

Jealousy overcomes a college freshman as he attempts to sabotage his girlfriend's first stage audition.

To summon the third eye awakening, we should not agitate the surface of the mind and physical eye, but soothe and provoke the third eye to awaken. In the gap of time, the flame of images that rise and become eternity is forming the rhythm and the speech. The teachings received in my travels and in green crystals. In distanced mysteries, the half rotten emulsion is the art of metaphysical connection and path of the awakening.

Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.

Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.

"In medical terminology, absence of genitalia in females is referred to as "gynatresia". In other words, an extreme defect that goes beyond a mere illness" Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.

Traditional games, dancing and music among the people of Sikkim - in vivid colour.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Millions of Muslims flee to Lahore in the newly created state of Pakistan, prompted by the partition of British India.

Snapshots of colonial life around Tamil Nadu, plus a visit to the Toda tribe.

A stunning display by Nyishi tribesmen from the hills of Arunachal Pradesh, north-eastern India.

"Thornton's magnum opus, this ongoing and open-ended serial follows its two improvisatory protagonists, children “raised by technology,” through a surreal landscape where pop culture and history, science and science fiction blur." - BAM

Accompany a couple on their visit to a local wildlife park.

Romantic, atmospheric travelogue capturing some of northern India’s most iconic places – not least the Taj Mahal.

The people of Antiquity had little problem with nudity and would not find graphic depictions of sexual acts as morally suspect or obscene. But Christianity changed perspectives, bringing in notions of shame and the negation of the body. This documentary looks at the erotic in art over the last two thousand years.

Kathakali performance featuring the great Indian dancer Guru Gopinath.

Motorcars take shape - outdoors in a Kolkata yard.

The Mysore Palace shines with 100,000 lights in a dazzling 400-year-old celebration.

“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton