The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.
This short film demonstrates how Howard Shore has distinguished himself as one of Canada's most accomplished - and versatile - composers. During woodland rambles with his beloved dogs, Shore gives free rein to his ceaseless creativity. Whether composing delicate counterpoint or Oscar®-winning movie music, Shore is keenly tuned to a remarkable range of musical expression.
Veneno
This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…
The film depicts young people at various socioeconomic levels presenting their views on the use of marijuana.
This MGM short film narrated by Richard Burton promotes its upcoming major release "The Sandpiper" (1965), starring Burton and his then wife Elizabeth Taylor. Panoramic shots of the ocean, the seashore, and the desert segue into the artistic community with various of its well-known artists at work and play. It all leads to clips from the film being made.
A traveling trader provides a window into rural life in the Republic of Georgia, where potatoes are currency and ambition is crushed by poverty.
A dynamic configuration of images and videos overlaid with musings on human existence.
This short documentary zooms in on Churchill, Manitoba, on the western curve of Hudson Bay. The town boomed for a while after it became the railhead seaport for the shipment of Prairie grain. It also changed the way of life of the Native Indian and Inuit population.
This short documentary profiles 27-year-old Scoggie Watson, a Cape Breton stalwart who clings to the things he cherishes most: the waters of Lake Bras d'Or, his hand-built sailboat, his freedom, and the friends who stayed in Cape Breton instead of leaving for the big cities.
Quarante fontaines
Parisienne... Parisiennes
Le Temps des assassins
Café tabac
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.