Garbage

Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.

THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy Poling, Omebi, Sarah Toon and Owleyes, Dania Myers, ∆AIMON

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Register of the events which occurred between 9 and 15 April 1948 in Bogota as a result of the assassination of political leader Jorge Eliécer Gaitán

Expeditions in the Western Canadian Arctic

An abstract film, with which Pansini attempted "Malevichean" reduction. It is a blank, an empty film reel with coloristic and toned global changes, nothing more.

Contrasting environments, in and outside.

“Tai Chi II,” similarly to Elam’s “Tai Chi Bowling” and “Tai Chi,” focuses on movement. Through a sequence of close-ups, Elam coyly records portions of several individuals practicing tai chi, primarily focusing on the practitioners’ extremities as they float about. Distinct from its affiliates, “Tai Chi II” finds the action taking place outside.

Consists of frantic and (mostly) uninformative pans sprinting across Elam's lawn.

Elam's husband prepares vegetables at the sink.

Abstract short.

Sprocket holes moving across the screen.

Digging in the woods.

A covered bridge and the nature surrounding it.

Elam turns in place while filming nature.

An outdoor gathering.

Two women gardening on a sunny day.

Elam records several men moving boxes and furniture as they track across her backyard.