Aleph Null

National insurance made amusing by the eccentric Richard Massingham.

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

Through experimental editing and the recitation of movie trivia the film comments on the chaos of information in the age of the internet.

The desolation of vast retail spaces is not so far off from the decay of one's memories.

Alchimie au rhodium

Nossos Filhos Estão Destinados a Morte

Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.

Young boy confesses his love toward a grocery store chain in a abstract manner.

In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

Short animation by Alvise Renzini inspired by a C.G. Jung's dream

A teacher spends a day in their classroom where nothing is what it seems.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

"Lost in the Black Hole" is Bangladesh's first-ever symbolic cult horror short film, where the director/artist has experimented on the five metaphoric characters to represent the various meanings of things through expression, symbolism, and numerology.

Experimental university short film inspired by grief, the passage of time and the filmmaking process

The amplitude of time recollected. A hasty communion with rapidly desiccating memory, a blend of film and digitalia in which the shapes of living things are made to resemble mere scratches and scrawlings on the face of the void.

ONE NIGHT IN HELL

This is a poetic short film I made with Chloe Hall for a 12 week final major project where we adapted the poem my Forough Farrokhzad. This short film is about the confinement of women in Iran and the yearning for liberation in a patriarchal society. A tapestry of visual metaphors and poetic narration intertwine, illustrating the silent yet fervent struggle or Iranian women.

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

Beijo de Borboleta