After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
In a live performance of international standards, musicians, voices, dancers, hot choreographies, impressive visuals, live cinematography and masterful video-statements, worked down to the last detail, compose a multi-layered setting of unique aesthetics. With impressive scenography and absolute stage energy, the Water Square caught fire in front of 16,168 spectators of all ages, in an absolute POP experience. Explosive and lyrical, with a clear identity and point of view, the multi-platinum hitmaker and performer Marina Satti, will rock with her sweeping hits such as LALALALA, MANTISSA, BLOUZAKI, SPIRTO KAI VENZINI, LOLA, TUCUTUM, AUTOKINHTO, AH THALASSA and of course ZARI.
Cold pearly winters and the brutality of war running simultaneously.
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.
Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.
A young man has an anxiety attack and in an attempt to feel something, he skips through Kanye West's 2018 release, ye, until he lands on Ghost Town.
Symphonic documentary exploring the Miami identity in six movements. It was performed and projected live by the New World Symphony, led by Michael Tilson Thomas on Feb 22, 2018. The film is made up of five separate and synchronized video channels, projected onto the walls of the New World Center concert hall, above a full symphony orchestra.
This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
The last person on Earth revisits their memories as they wander a lonely world
The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.
experimental piece exploring existentialism, time, age and space
A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).
Music by Byron Westbrook, 16mm film by Paul Clipson.
A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.
A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"
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