October's Wake

Fact-based story of a woman who suffered a nervous breakdown after having an extra-marital affair.

Maria finds herself at a crossroads when her husband suddenly announces that he wants to end their relationship. She must either let her whole world come crashing down, or come to terms with the life she has and find a way forward.

A Mexican farmhand migrates to America to better support his family, but his dream crashes to the ground when his wife and daughter can't meet him across the border.

Three women live together: Maria is a scientist, Lia is a kindergarten art teacher, Raquel is an android with AI. They need to organize the traditional Saint John's festival for Lia's school.

A couple of sound engineers have stopped paying attention to each other. During a film shooting they see themselves in the actors who play the scene, which makes them understand the importance of listening to one another.

A younger sister who returns home on the day her mother passes away has to meet her older sister whom she hasn't seen in a long time in the same uncomfortable place.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Strange places take shape in a torch’s beam of light and the sound of water droplets hitting the ground punctuates our footsteps. In the distance, we hear muffled music, where does it come from?

Knucklebones follows the course of hysterical outburst to instances of alienation and isolation. From a 1903 newspaper, "While fifteen hundred persons looked on in breathless excitement, an electric bolt sent the man-killing elephant staggering to the ground. With her own life, she paid for the lives of the three men she had killed." The film combines archival with Super8 and 16mm original footage and intertext in an experiential exploration of gender, sexuality and identity. Featuring Katherine Crockett, prior to becoming a Martha Graham Dance Company soloist. "A haunting evocation of the body under stress."-Kathy Geritz, Pacific Film Archive

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

GRITA PELO MEU NOME

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Rosa dreams of an image. The mysterious dream won't leave her head. She becomes obsessed with the hazy memory of a figure that seems to abduct a young black man. In search of answers, Rosa dives into the night.

A retired truck driver reflects on a life spent on the road while his children explore the emotional toll of his absence, honouring the unsung heroes who keep the world moving.

Seeing Through the Darkness follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

Dolby True HD 7.1 Atmos