Dancing is a passion of the rich, believes Manish Chauhan , the 21-year-old son of a taxi driver in suburban Mumbai. Yet he, like his friend, 15-year-old Amiruddin Shah daydream of becoming principal ballet dancers in big American companies.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
From the vast coastlines of Tamil Nadu, to the arid lands of Rajasthan and the lush greenery of Sikkim, the camera joins local children on the journeys of their daily lives: to and from school, in their classes and after-school play, and doing chores. The children are shy but face the camera directly to talk about their families, their teachers, and their own feelings. Their gazes imply straightforward doubts about the adult world, which the director captures, in taking a sincere look at the meaning of education.
This documentary uncovers the dark events of 2024, when, for the first time in India’s history, a sitting Chief Minister and an entire political leadership were jailed without evidence.
The documentary talks about of the devastating earthquake of 2001 and captures first-person accounts of survivors, rescuers, journalists, photographers, and earth scientists.
Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]
Anxious, out of work and without access to transport during the nationwide COVID-19 lockdown in 2020, migrant labourers in India’s metropolises decided to walk back home to their villages en masse. As news channels beamed heart-rending silhouettes of millions of men, women and children marching along national highways with their meagre belongings, it became plain that the lockdown had already drafted one of the most traumatic chapters in the nation's modern history.
"India" developed out of my three journeys to Pune in 2001, 2002 and 2004. I arrived in a forgein country, and felt surprisingly familiar in the foreign. There in the streets, walking among the people, surrounded by their movements, their gestures, by the colors, the light, the beauty. Small things awakened my attention, sometimes only a short glimpse, a hand movement, the color of a sari, a temple hidden in a courtyard. It was like a long hot bath that I took there in Pune's streets - something unique and very beautiful.
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
Indian freedom fighter Gandhiji was killed by Nathuram Godse. But what made Nathuram Godse to take this extreme step?
Tathastu starts off with a recap of moments from Zakir's life. Starting from his early school days, the performance is a ride where the audience gets a peek at the family he was born in, the characters he grew closest to and his young years bloated with aspirations of becoming an RJ. He goes onto share a few personal learnings on stage as he tries to make sense of his journey thus far.
A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.
He was an ordinary boy with extraordinary dreams. This intimate documentary traces the rise, fall and comeback of Indian rapper Yo Yo Honey Singh.
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar
Snippets of a journey with Imtiaz Ali