Taube Feuer

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

A filmmaker canoes up North Carolina’s Black River to the Three Sisters Swamp, chasing light through ancient bald cypress groves. What begins as a familiar act of observation and recording takes an uncanny turn. Using past footage and sound, the film reconstructs what was seen, what was heard—and what cannot be explained.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

This documentary follows the feats of high-altitude climber Jerzy Kukuczka and his ascent to higher heights before his death in 1989.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

“In a meeting between history and the present, this docufiction takes us on a unique journey through the Ria de Aveiro, through the curious eyes of a child who discovers, for the first time, the Vouga Class boats. Guided by an adult, a symbol of the generations that preserve this centuries-old tradition, the child enters a world of memories, knowledge and traditions that resist the test of time. Between workshops and shipyards, conversations with master builders and walks along the waters of the estuary, the story unfolds like a bridge between generations. This docufiction interweaves reality and fiction, testimonies and dramatization, showing how cultural heritage is transmitted, not only through words, but through lived experiences. More than telling the story of the Vougas, this film celebrates those who keep them alive, and those who will one day carry them forward.”

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.

This documentary is a reconstruction, based on archive footage, testimonies, and filmed reconstructions, of the Vincendon / Henry tragedy. December 1956: Jean Vincendon and François Henry, two young mountaineers, aspire to join the High Mountain Group. Lacking experience, they set out to climb Mont Blanc via the Brenva spur in the middle of winter. The weather conditions deteriorated, and they decided to give up before meeting Walter Bonatti and Sylvano Gheser. They then decided to continue the climb and set off in two different roped parties. Bonatti decided to take refuge at the Vallot refuge higher up, rather than descend. The two young mountaineers, overcome by the poor weather conditions and fatigue, remained stuck for several days at 4,000 meters. What followed was a completely disorganized rescue operation that became, for more than ten days, a spectacle for all of France and a national tragedy.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.

This documentary essay introduces a peculiar trio of men united by their passion for hunting. Each of them conceives of hunting in his own way, luring the viewer to an exotic safari, to an antlered trophy collection or to a sitting in the woods.