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Here is a crazy man who goes to the movies. Today's destination is 'Seoul Art Cinema' located in Jeong-dong, Seoul. Before passing through Independence Gate, climb the mountain and look at Seoul Art Cinema in the distance. Will he be able to watch the movie safely?

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

The Black Box

A Guatemalan woman, Ana Lucía Cuevas, returns home from exile to face the brutal history of Guatemala's armed conflict. In 1984, her brother Carlos was kidnapped by the state as one of thousands who were abducted and disappeared. Recounting the stories of brutal genocide, terror, state repression and violence, this film documents the memories of those victimised by the Guatemalan state.

Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.

Filmed in the heart of the Gaza Strip in the spring of 2025 and produced by WeWorld as part of a project funded by the European Union, in collaboration with Save the Children, the film tells everyday stories of resistance and humanity: a barber who continues to welcome his clients amid the rubble, restoring dignity and beauty; Wafa, a woman who dedicates her life to children with disabilities or those who have been orphaned, offering care, education, play, and a sense of normalcy. An intimate narrative that illuminates the strength of the community even in one of the world's most fragile and war-torn contexts, like Gaza, where the population has been under constant attack for two years and under blockade for over 18 years.

Obama: All Access offers a unique, behind-the-scenes look at the life and career of President Barack Obama.

La Rodilla del Diablo

Two children are directed by a cinemaker.

During May 2001, Chilean filmmaker Miguel Littin traveled through historic Palestine, documenting everyday life amid the war—more precisely, the existential distance between a child throwing stones with a slingshot and tanks filled with artillery.

Cartas de Arapuca

The film assembles a series of chapters which move between impressionistic studies of unusual spaces and structures observed in the occupied Palestinian territories.

What drives a young, well-educated Westerner to volunteer as a “peace activist” in the Middle East? Caiomhe Butterly is one of a growing number of volunteers who risk their own safety to intervene in the long-running and bloody conflict between Israel and Palestine. Several internationals, including her, have now been injured. Some have died. In this film, she describes witnessing the aftermath of the attack on Jenin in April 2002. The film follows her work, the main emphasis being “the accompaniment of communities at risk”. Despite being threatened, shot in the leg and deported later that year, she is determined to go back.

Since the October 7 attacks and the ensuing war forever changed the Middle East, the Israeli-Palestinian solidarity movement Standing Together has taken the world by storm, and this documentary offers an exclusive, behind-the-scenes look at the movement and its leaders, Rula Daood and Alon-Lee Green.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Some 40 years after setting foot in Israel for the first time, journalist Pierre Nadeau felt the desire to return there to take stock of the Israeli-Palestinian conflict.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.