25,000

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...

Documentarian Ra'anan Alexandrowicz accompanies a Palestinian tour group on a three-day sight-seeing trip to Israel.

A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018. Filmed on super 8 mm film.

Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.

This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."

Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.

Prominent Columbia University English and Comparative Literature professor Edward Said was well known in the United States for his tireless efforts to convey the plight of the Palestinian people, and in this film shot less than a year before his death resulting from incurable leukemia, the author of such books as {-Orientalism}, {-Culture and Imperialism}, and {-Power, Politics, and Culture} discusses with filmmakers his illness, his life, his education, and the continuing turmoil in Palestine. Diagnosed with the disease in 1991, Said struggled with his leukemia throughout the 1990s before refraining from interviews due to his increasingly fragile physical state. This interview was the one sole exception to his staunch "no interview" policy, and provides fascinating insight into the mind of the man who became Western society's most prominent spokesman for the Palestinian cause.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

The engrossing one-hour special uses evocative archive and a cast of charismatic political experts and former members of Trump's administration, to unpick how, in just 140 characters, Twitter has changed the way political communication takes place in the US. It is the story of a social medium platform and the first social media president, which reveals how both Twitter and Trump have grown their brands at the same speed over the course of the last decade. Each tweet is a window into the context of our times, and the mind of Donald J. Trump. In chronological order, they take us on a journey into some of the most important stories, events and issues of the modern world - an election result that polarized a country, the first ever meeting of a US president with a North Korean leader, immigration, pandemics, race relations, impeachment, and the 2020 presidential race.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

The work of taxonomists hides more secrets than can be perceived.

Ghassan Sidawi takes a trip to get to know more about a late friend of his family. While doing so, he learns what it feels to be a lost Palestinian artist from home.

A documentary film that brings testimonies taken just one week after the attack, from 7 different areas that were attacked in the events of Saturday, 10/7/23. The film is told from the point of view of the survivors. The evidence is unusually presented in the movie with the help of miniature models and animations that reinforce the hard evidence. The survivors share the survival experience they experienced during the long hours of the murderous terrorist attack. Those who ran away from the party, the houses they hid in, those who fought against the terrorists, and those who saved lives in the field. All with the choices they had to make in real-time, and saved their lives.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.