Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement. Horn Town is located in Wulong, a rural district near the Three Gorges Dam administered by the Chongqing municipality (a city of 30 million people). Narrated in the style of a science documentary but using local Chongqing dialect, the video brings a geological and topographical perspective to types of 'rocks' found in the area,from mythological stones from a mountain cliff, to ruins of the original settlement, to a stone sculpture from a dubious 'Land Art Biennial', in order to address issues of land acquisition, top-down development and spatial politic.
Zaniklý svět Karla Pecky
In an age of chaos, destruction, and decay, the resurrection of nature was the last ray of vitality and a testament to survival. The film ventures into the haunting remnants of humanity, the silent witness of its collective collapse, and the ethereal rebirth of nature in the absence of mankind. The intriguing scenes are experienced through an omnipresent and atemporal perspective.
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
A film essay in which multiple female characters, drawn from different films, slowly overlap and connect through a shared state of melancholy.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The women follows a woman's journey to redefine herself after her husband's death, navigating newfound freedom and self-recognition. Inspired by Marta Feuchtwanger, this essay film challenges perceptions of women's roles and relationships.
A documentary film contrasting present-day Lithuania with extracts from a peasant's diary from 1984/85.
Nonstop
Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.
After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
Premiered at the 2017 Locarno International Film Festival.
In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.
Rastros que Deixamos
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
Television was invented as a result of scientific and technical research. Its power as a medium of news and entertainment altered all preceding media of news and entertainment
Reminiscences of a trip to Čáslav
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
A variety of storefront mannequins look at, contemplate on, and talk about public space.