While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
A young student filmmaker in an attempt to shoot a documentary gets lost in New Orleans. Out of fear of making a mistake, he ends up making hundreds of mistakes.
In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
A music documentary made with Sun Ra.
A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
In this sober and moody documentary, director Anders Østergaard explores the life - and death - of Swedish wonder kid jazz pianist Jan Johansson through a rain-soaked windshield.
Tradewinds in an intimate portrait and examination of the life of CHamoru jazz pianist, Patrick Palomo, whose musical style has combined CHamoru lyrics with the sounds and melodies of contemporary and classic jazz music. Although his music career has spanned decades and continues to influence the Guam music scene, the film explores how his legacy has paved the way for younger artists to follow in his path. Together with rising local talents, Shannon McManus, John Glaser, and Andrew Gumataotao, they form the group, Tradewinds. Together the group produces music highly influenced in the jazz style with lyrics in the CHamoru language. Tradewinds is a film that highlights the importance of language preservation and explores the definition of indigenous art.
On stage since she was a toddler, Googoosh has been an icon of Iranian pop culture since the 1970s. Her progressive style and raw singing talent attracted worldwide acclaim and saw her performing alongside the likes of Tina Turner and Ray Charles. But the star's career came to an abrupt halt after the Islamic Revolution, which banned women from singing in public. Googoosh was placed under house arrest, where she remained for the next two decades. Niloufar Taghizadeh's documentary, which includes interviews with the charismatic singer (now in her seventies, but still performing and advocating for women and girls) and arresting archival footage, offers both a loving portrait of a national icon and a fascinating historical and cultural record of Iran.
Explore the vision behind the iconic American jazz record label. Since 1939, Blue Note artists have been encouraged to push creative boundaries in search of uncompromising expressions. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate.
Fictional film with documentary elements about a jazz musician in Berlin.
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
A son seeking to fulfill his late father’s dream takes his band from the storied city of New Orleans to the shores of Cuba, where — through the universal language of music — dark and ancient connections between their peoples reveal the roots of jazz.
Archive performances and interviews explore the influence of the four major jazz albums made in 1959 by Miles Davis, Dave Brubeck, Charles Mingus and Ornette Coleman.
Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.