Boys without a home

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.

As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.

“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Where we come from shapes who we are, and how others see us. Home gives us a sense of belonging and stability. It’s so much more than just a physical structure. It’s our safety, our refuge, our launch pad. Yet, so many people in the U.S. face housing instability and homelessness. A shocking 76% of Americans live paycheck-to-paycheck. They are just one accident or injury away from losing everything. Losing a place to call their own. Our Journey Home explores how home shapes us and challenges our perceptions about people in need of public housing. The film examines the role we all play in supporting those who struggle in having a stable place from where they can grow and dream.

Award-winning documentary maker Bryan Bruce investigates New Zealand's housing crisis and what might be done to solve it. Bruce consults with recognised world experts (in Canada, Ireland and Germany) to discuss their global research – this time on foreign capital and housing affordability and the effect of immigration on house prices. Bruce also looks at some of the many possible solutions (available particularly in Germany) that would provide families with stability of tenure that don’t involve private ownership.

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

ABEPSS 70 anos

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Now a successful filmmaker, Lorna Tucker was once a teenage runaway sleeping rough on the streets of London. For this frank, forceful and inspiring documentary, she returns to her former haunts and speaks to current and former homeless people about why, twenty-five years later, record numbers of people are still reduced to living on Britain's streets.

An urgent, heart-breaking investigation into the young lives changed forever by under-age prostitution and exploitation.

A double story of music and companion; this documentary portraits two different and itinerant social bands.

People experiencing homelessness, social work professionals, and film artists join forces to transform fragments of real life into fictional short films.

Documentary tells the story of Maxim Vakhmin, a veritable alleycat of a man. Revered as both an angel and a devil, Maxim (once known as a successful artist in his native Russia) is losing friends and finding new ones as a homeless person in the USA.

Et glas vand til Johnie

Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.

Waifs, homeless, derelicts, almsmen, others, forgettens, outcasts, unwanteds. The Hotel of Waifs; a temporary resting place far from home, an amusement in a pale fun fair, an enthusiastic trip on roundabout ways of soul.