Tarta

A group of elders spends their weekdays in a retirement home in Sandim, in the north of Portugal, where they talk, do arts and crafts, practice yoga and pray. We follow them between October 2012 and March 2013, when an economic crisis overshadowed Portuguese society and unemployment rates reached record levels. Meanwhile, arrangements are made for the Carnival ball. Will they bring the first place home this time?

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Then, now, where? how?

Pictures taken between France and Mexico running at 8 frames per second.

Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.

Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.

This documentary film traces the struggle of Indian auto workers of the Maruti Suzuki factory in Manesar, near Delhi, in forming a union. Investigating the underbelly of class conflict and exposing a widespread system of injustice, the film focuses on the repression faced by the workers and their criminal prosecution.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

Documentary about Japanese film director Shohei Imamura.

La Chine, rêves et cauchemars

The people of Antiquity had little problem with nudity and would not find graphic depictions of sexual acts as morally suspect or obscene. But Christianity changed perspectives, bringing in notions of shame and the negation of the body. This documentary looks at the erotic in art over the last two thousand years.

From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.

Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.

Raj Kapoor, the film maker and actor became a legend in his lifetime. Head of one of the last great studios on the Indian sub-continent and creator of a film-making empire for nearly half a century. Woven into the texture of this 70-minute film, part personal narrative, part rare visuals, part cinema footage, is the picture of a man who straddled the Indian cinematic world for nearly half a century like a colossus.

“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

Inspired by Lois Patiño's short movies project called "Paisaje-Duración" (Duration-Landscape) and Hiroshi Sugimoto's photo series "Seascapes", "Duração-Diferença" (Duration-Difference) reveals the difference through duration, through time; this short experimental movie seeks to capture, as Patiño and Sugimoto achived, the immanence as the entrance for something more - or something in between.

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.