Galleries of Paris

Some fun in the sun. Part 3 of The Glue Trilogy.

A music video-collage on modern urban life.

Older adults cannot believe the things younger people do, but they probably have forgotten they were the same way when they were younger.

The World Trade Centre attack was perhaps a foretold disaster waiting to happen. The proof is in this highly incandescent film: a rapid-fire montage of images taken from 20 years of Hollywood blockbusters. Edited and crafted with mastery in the Metamkine laboratory.

Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.

A photomontage telling the story of Jamie’s life from his birth to the moment his mother dies unexpectedly.

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Tabu, propriedade privada

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Lapidar o Bruto

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”

A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera

Don't Let a Machine Rewrite the Dream which you once held so tightly.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

Movietone News produced this short (two-minute) sing-along version of United States' national anthem featuring the popular chorus, "Fred Waring and the Pennsylvanians." While the Star-Spangled Banner is sung, a patriotic montage of scenes appears in the background.

Plane Crazy

A grieving widower is offered a pill that can help ease his grief by erasing certain bad memories.