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A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
Filmmaker Marcel Ophuls investigates the massacre of My Lai by U.S. soldiers.
Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.
Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
The Tet Offensive during the Vietnam War, the Civil Rights Movement, the May events in France, the assassinations of Martin Luther King and Robert F. Kennedy, the Prague Spring, the Chicago riots, the Mexico Summer Olympics, the presidential election of Richard Nixon, the Apollo 8 space mission, the hippies and the Yippies, Bullitt and the living dead. Once upon a time the year 1968.
On May 8, 1970, construction workers violently clashed with students demonstrating against the Vietnam War in lower Manhattan. The workmen, who came to be known as “hardhats,” were at the cutting edge of a new kind of class war. With the war in Vietnam raging on, it was the sons of the working class who were doing most of the fighting. Workmen saw the protesting students as privileged “draft dodgers” disparaging the country and those who fought for it. On the other side, many student activists saw the workers as pawns, unwilling to see the changes that America needed. Hard Hat Riot tells the story of a struggling metropolis, a flailing president, a divided people, and a bloody juncture when the nation violently diverged ― culminating in a new political and cultural landscape that radically redefined American politics and foreshadowed the future.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'
In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.
A documentary about militant student political activity at the University of California, Berkeley in the 1960s.
In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger's situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men.
Against the backdrop of a world on the brink, the Montford Point Marines transcended enemy lines and formidable barriers of racial segregation. Beginning in rural Virginia, their journey to the front lines of World War II, the Korean War, and the Vietnam War is more than a testament to their bravery - it's a reflection of their indomitable spirit and unyielding resolve. Confronting racial prejudices, the heartbreaks of war, and the turbulent transition to civilian life, these men never wavered in their commitment. "Triumph Over Prejudice" dives deep into the uncharted terrains of the Black experience in the early 20th century Marine Corps, illuminating stories often shadowed in history's corners. With cinematic finesse fit for a global streaming audience, the film weaves personal narratives into a rich tapestry, culminating in an epic saga of heroism, perseverance, and the enduring legacy of the American veteran.
In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”
Tom Savini is one of the greatest special effects legends in the history of cinema, but little is known about his personal life until now. For the first time ever a feature length film has covered not only Tom's amazing career spanning over four decades, but his personal life as well.
Real-life letters written by American soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it.
The untold stories of six Australian army nurses who served at the only Australian field hospital in the Vietnam War.