Broken Harbors

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.

A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

The refracted gaze on Mianhua Islet, Taiwan's eastern de facto border, turns the concrete landscape of physical territory into a mirage of topography and politics. The fragmented image of the frontier reflects the ambivalent state of Taiwanese subjectivity. The camera slowly sweeps over the contour of the islet as if touching the country's body to ensure its existence. The ever-imaginary border that eludes, obscures, and fictionalizes the construction of a nation confronts us with its external mirrored image, as a subject and as a site, where the process and paradox of forming national subjectivity are materialized, embodied, and caught in a liminal space.

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

a sensorial journey on a scottish island reminding us of the connection between the living questioning our relationship to the sea and to the land

Experimental documentary about what it means to be at peace.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.

Old Tjikko: a 9.550 years old tree standing alone in the Swedish tundra. Surtsey: an island born only 63 years ago on the coast of Iceland. Lotus Gomeritus: the last and only known specimen of a plant species discovered in the Canary Islands. Through these three main subjects of observation, and many other images collected through a process that took over ten years, photographer Aleix Plademunt and filmmaker Carlos Marques-Marcet set up a meditation on how we construct our world through looking and the complex relationship between images and the spoken language.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Metropia

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)

Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.