Clime

A choreography of discarded lottery tickets and the repetitive rhythms of various Parisian PMU’s. As if by chance, we meet Mostefa, a regular who doesn’t believe in luck.

Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.

A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.

A group of punks steal weapons from a military base.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Robin, a lonely young man, works for the government as a catcher of invisible birds.

"Ritratto di Rosa, all'italiana" stands as the second act of the trilogy begun in 2019 with "Portrait de Rosa, à la française." The poetry of the first chapter is replaced by a melody that takes the viewer back among the waves of a journey, among rocks and shells. A song full of love and hope from the past, setting the end of youth and the beginning of maturity.

The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketches and two nondescript."

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

On a quiet afternoon an elderly woman prepares some afternoon tea for her and her husband. This short film was made on a single Super-8 cartridge, edited in camera, shot in sequence with only one take per shot. This was originally made for an Los Angeles film event called: "Attack of the 50 Foot Reels".

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

A short film shot on Super 8 which captures the last days of winter.

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

A lonely mime takes desperate measures in order to find the audience he deserves.

Convinced that a museum art sculpture is misaligned, a determined tourist challenges the gallery’s security protocols in an attempt to adjust the positioning of the central piece.

In late 1970s Ohio, a group of friends filming a homemade zombie movie witness a devastating train derailment. Soon after, their quiet town is gripped by unexplained disappearances, strange phenomena, and a growing sense of fear, as they uncover that something terrifying has been set loose.

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.