Štreit – I photograph, therefore I am

Il n'y aura jamais assez d'images

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Hermitage: The Power of Art

The concrete costs for culture and creativity is here illustrated in punchy images.

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

Vanity

A significant group of trans and queer artists gather to mourn the loss of their friend – Indigo, AKA Spiral – to suicide.

A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.

"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed." – Darren Soh, photographer

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

A woman named Limoo, a self-taught painter who starts painting after her son's death - continuously and non-stop - wants to continue his son's legacy. It looks like the son has been reincarnated in the mother's body. Limoo wishes to hang all her paintings on the walls of her home but the landlord doesn't give her permission!

An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.

Shot in Aix-en-Provence, Château Noir is a cinematic homage to the landscapes once painted by Paul Cézanne. Through minimal camera movements and a meditative gaze, the film seeks to translate the act of painting into pure visual rhythm — capturing light, air, and silence as living matter.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

{ Auto-biography of all the video experience Gabriel had based on his childhood’s productions. }

This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.” I’m in an arena where people have high emotions, they get stressed and pressured. I’m reasonably confident that I can avoid situations where I’ll be unsafe. I don’t have any death wish — I’ve got a game of golf tomorrow. – Mike Hinton, on the dangers of the job

A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.

Habiter le mouvement (un récit en 10 chapitres)

The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.

A Paisagem de Artur Pastor