Štreit – I photograph, therefore I am

Dick Perez, official Baseball Hall of Fame artist for over 20 years, painted the game's history and every inductee - a project he continues in his 80s. This childhood immigrant's portraits changed commemoration of America's iconic pastime.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

Introduces the world of painter René Magritte through an assemblage of the painter's images. Includes statements by Magritte about his intentions and anecdotes from his friends Mesens and Scutenaire.

Manet’s portraits are rarely afforded such close attention as they are given in this exquisitely crafted and insightful film presented by art expert Tim Marlow. Manet’s portraiture comprised about half his work, giving life on canvas to family, friends and the literary, political and artistic figures of the day.

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.

Odvaha

From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?

A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Walker Evans/America profiles the great American photographer Walker Evans (1903-1975), whose style influenced a entire generation of photographers. He is best known for his collaboration with writer James Agee on the book "Let Us Now Praise Famous Men", which illustrated the plight of tenant farmers during the Great Depression. A pioneer of the documentary style of photography, Evans was the first photographer to have a one-man retrospective at The Museum of Modern Art. His photographs, from southern sharecroppers to New York subway riders, are point-of-view images that reflect his distinctive vision of America. Walker Evans/America contains rare interviews with Evans himself, recorded by filmmaker Sedat Pakay while a student at Yale University in the late 1960s.

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

Damian, grieving his girlfriend's death, travels through Mexico seeking solace. Along the way, he connects with strangers and witnesses their coping rituals, finding a path through his own memories and regrets.

Como se Ninguém Estivesse Olhando

Michael Wardian had a simple dream: to run across the United States. For 25 years he prepared, conquering every running challenge imaginable. Setting out to achieve his dream, he uses everything he’s learned to meet unexpected challenges within himself, his two-man crew and the people he encounters along the way.

Pyhä

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.