Não é Possível Garantir que Todos os Produtos Funcionem

An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.

The day with the sky neither too blue nor too grey. With a hint of red. The train crowded and the backpacks between the feet. The loves on every corner, the ones we pretend not to see.

A pleasant tasting summer film made in New York and Searsmont, Maine. With poems by Daniel Shapiro (age five), performances by Dana Reitz, Yoshiko Chuma and Wang Pint; music by Duke Ellington and Gamelon of Bali.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

SWARAM is an experimental cinematic documentary film that explores the transformative power of music and sound. Through vivid field recordings and intricate depictions of sacred rituals, it immerses viewers in the profound connection between sound and the human experience. At its core, SWARAM looks into Kerala’s ritualistic art forms—Thottam Pattu, Pulluvan Pattu, and Kalamezhuthu Pattu—examining how rhythm and sound evoke trance states and facilitate spiritual transformation. It also blends ancient traditions with contemporary sonic explorations. Structured as a visual research publication, the film adopts the format of an academic paper, with distinct sections such as Backdrop, Abstract, Introduction, Case Studies, Conclusion, and Expert References. This unique approach seamlessly blends research with cinematic storytelling, offering viewers both an academic exploration and an immersive cinematic experience.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

A closeted transgender woman is comforted by dancing to confront her sexual demons.

Pêche Capitale

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

Life is what we don't want it to be.

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

A group of partygoers consider what awaits them after death.

Piece composed of four short films of different nature where the motif is the woman.

16mm hand-painted film.

A light explodes and becomes a snail.

Christmas Eve in rapid camera.

In July 2022, a forest fire broke out on Monte Gambarogno in Ticino, Switzerland. Wound Edges is my emotional response to this landscape, filmed on 16mm and hand-developed with the forest’s ashes. Each frame carries physical traces of the land’s memory, blending destruction with resilience. The soundscape—field recordings, burned wood, contact microphones on trees, and the presence of fire—echoes the forest’s wounds. A reflection on human impact, impermanence, and the haunting beauty of transformation.

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

An experimental four-part short film that shows the outcomes of life through a vacation trip.