Chant XI - L'Hadès

AKIN examines the tension between collective synchronicity and the hidden inner reality of the individual. One protagonist describes her overwhelming feelings, while three other figures appear as aesthetic mirrors of her inner states. In a world that demands perfection and smooth functioning, everyday life continues like a mechanical system even when the inside has long overflowed. The bodies increasingly come under pressure until the structure discharges in synchronous, yet faulty movements. The encounter with an antagonist opens a moment of silent perception and raises the question of whose emotions are actually at work in the space. AKIN reveals a raw, deeply human choreography between adaptation and authentic expression.

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

A single father in Paris struggles to care for his child and escapes periodically through contemporary dance.

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

Béjart, 3 regards 2025

Science-fiction dance film that looks into togetherness and loneliness. Covid-19 and the measurements taken because of it have changed our way of being together into a more digital, online and always connected manner.

Internal Clock

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

"Prima" follows Margo, a dedicated prima ballerina raised by her disciplinarian and “guardian of the art” grandmother, who begins to unravel when the head of her ballet company marries a contemporary choreographer, disrupting the company’s tradition and igniting a quiet, atmospheric power struggle that threatens the very future of the institution. As events unfold, Margo begins to question if the choices made in life are really worth it in the end, a question so many face as difficult decisions can change your life forever.

La Coronela (1940). Punto de partida

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

A woman battles against the constraints of a controlling patriarchal figure symbolised by a haunting mask. As she strives for freedom and dances to her own rhythm, the gripping visuals unfold a poignant tale of struggle and the inescapable influence of societal expectations.

A short film about the the story of a young woman,Desiree, reflecting on the betrayal of her significant other and her struggle through forgiveness, healing, and restoration in their relationship.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

VENOM is an experimental contemporary reimagining of Shakespeare’s Romeo and Juliet, exploring love, rivalry, identity, and the destructive forces that surround young people searching for connection. Set against the intensity of modern relationships and social expectations, VENOM follows two individuals drawn together by an undeniable connection while caught in a world shaped by conflict, desire, and the consequences of inherited hatred. Blurring the lines between romance and tragedy, the film examines how love can become both salvation and destruction. Through a stylized visual language and emotionally charged performances, VENOM transforms a classic story of forbidden love into a raw exploration of obsession, vulnerability, and the choices that define us.

A quiet little island hidden away under a bridge in Lausanne: the bowling club of La Boule d’Or is home to a team of pensioners who join in a very strange game under the direction of a choreographer. In a mix of documentary and choreography, the film unfolds like a poem written by bodies dedicated to the passing time, to the team spirit, to the learning of collective movement and to the peaceful life. An ode to the game of boule… A bittersweet waltz…

A contemporary dance film by choreographer Talia Miharu inspired by Gustav Klimt's painting, "The Kiss", starring Kaben Benavides and Gabriel Tolmer.